| Reviews
- By
Tanya Batson, The
Jamaica Gleaner (Date:
July 26, 2002) 'Puppy
Love' has a sharp bite!
Puppy
Love is Jambiz International's latest
contribution to the theatre scene and is now
playing at the Centre Stage Theatre in New
Kingston. The play is written by Patrick Brown
and directed by Trevor Nairne, and while it
manages to be funny, it is definitely a drama.
Puppy Love
uses a simple set and simple cast, both of which
are easy on the eyes. The Set consists of a
middle-class living room. The cast is made up of
four people: Charles Hyatt, who alternates with
Glen Campbell, plays Dick, the major character;
Munair Zacca plays Harry Cross, who moves from
being Dick's best friend and supporter to the
position of Dick's enemy. The cast is then
rounded off by Marguerite Newland, who plays
Dick's wife, Denise, and Donisha Prendergast,
who plays Karen Cross, Harry's daughter and the
inspirer of the 'puppy love'.
The plot appears
simple at the outset. Dick is being seduced by
Karen, who is only 18 years old and also the
daughter of his best friend of many years,
Harry. Additionally, Dick is celebrating his
13th year of marriage to Denise. Thus, this
'love' between himself and Karen has several
repercussions. Additionally, it helps to bring
issues of class and discussions of friendship to
the fore. The issue of marriage is also focused
on.
Dick and Denise
(the alliteration may be forgiven because they
are never used together in the production) seem
to have a perfectly normal 30-year marriage.
Both are so busy with their lives that if the
awake time they spend together were to be
totaled, they have technically been married only
4½ years. Even so, neither of them seems to be
really interested in the other's life. They
don't communicate (unless it is to criticize)
and rarely have sex (every third Tuesday to be
exact).
The plot clearly
revolves around Dick, who is the most clearly
drawn character. Additionally, Dick is the most
interesting character in the production and
keeps the audience quite interested with his
facial expressions, but especially with his very
sharp wit. For most of the play, Denise, Karen
and Harry seem really only to function when
their activities relate to Dick's dilemma. The
play manages to discuss these issues without
being tedious. It, however, skates on pretty
thin ice in one area of the plot. As part of her
attempts to get Dick to concede to being her
lover, Karen tells him that if she can't have
him, she will kill herself, which he believes
and finally succumbs. While this comes across as
somewhat soap opera-like, the wit with which
Dick teats the situation makes it tolerable.
Despite this, the majority of the play triumphs
in large part because of the very strong cast it
employs. With the exception of Prendergast seems
to be a part of what seems to be becoming a
Jambiz tradition of each year injecting Jamaican
theatre with much needed fresh blood.
While its major
topic is romance, at least of a sort, the play
is no romantic comedy, as the requisite fairy
tale ending is missing. As such it ends with an
interesting twist, which the audience can see
coming miles away but hits Dick with such a
force that it retains its full impact.
|